David A. Schlossman's Actors and Activists: Performance, Politics, and Exchange PDF

By David A. Schlossman

ISBN-10: 0815332688

ISBN-13: 9780815332688

This scholarly paintings seems to be on the factor of politics and function in the United States at the present time with specific cognizance paid to performances produced through activists, the NEA 4, and "Miss Saigon".

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Or one may justify the efficacy of politically engaged performance through theoretical analysis, as exemplified by Baz I

The converse of this idea maintains that politics is an acid that corrodes the fibers of art's aesthetic quality. Both concepts ultimately aim to place art above the fray of quotidian events-dealing with but transcending everyday life. Ironically, such statements themselves betray a deeply political view, seeking to divorce art from its social context, as analysis of the assumptions underlying this point of view demonstrates. 'Tritics who argue against overtly political content in art (and discussions of the political circumstances surrounding any work of art's production and interpretation) uphold instead a tradition that defines art as the product of lone genius.

Elam ("Ritual Theory") demonstrates that, even if one accepts that the audience for political performance tends to already share the views of the performer, overly political performance plays a crucial role in forging commitment within that community. Conversely, Miller and Roman, among others, have asked who the converted are, questioning the assumption that those who attend political performances constitute a homogenous group that, moreover, is stable and permanently "converte d . ~ Finally, ~' Holly Hughes offered a rejoinder to this irksome question, titling a performance, Preaching t o the Perverted.

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Actors and Activists: Performance, Politics, and Exchange Among Social Worlds by David A. Schlossman


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